Reviewed by Dan
In reading the letters page of in his Sugar and Spike digests, Darryl shared with me an obnoxious letter from
a fan that was printed in that digest imploring DC to offer more Wonder Woman
reprints.
Well, if that fan is still
around, we here at DC Digests and Tabloids aim to please!
Our first tabloid find was a copy of Famous
First Edition C-30 (Sensation Comics #1).
While driving north to the lake, my daughter Ana and I decided to stop
at the Hwy 400 flea market and look what we found - a low-grade copy of FFE
C-30 for a mere four bucks!
Now, before I proceed
to review the Wonder Woman story, I want to make short digression about
low-grade condition comics. As you can
see, this copy has a rolled spine, lots of soiling on the cover, and dog-eared
corners. But we here at DC Digests and
Tabloids LOVE low-grade copies of our favourite comics! Now, you might ask
"why?". We believe the craze
for mint condition books is over-rated.
We won't even address the absurdity of locking up a comic book in a hard
plastic case with a professionally designated grade. Comics are for reading. Low-grade copies have been read, re-read, and
loved by kids and adults alike. We love
a comic that has a reading history.
Someone sure has enjoyed this old tabloid. That makes us happy. And let me tell you, we are enjoying it, too.
So bring on the low-grade comics! They are also affordable. Here at DC Digests and Tabloids, we have an
informal policy not to pay much over ten bucks for anything we review here. Let's just enjoy reading comics and not get
all caught up in the politics and business of industry! Here endeth the digression.
One of the really
great things about these Famous First Editions is that they are an exact
reprint (except oversized) of the original comic. There are all kinds of stories of unscrupulous
dealers removing the outer covers and duping unsuspecting collectors or
investors into thinking they were purchasing the originals. Have any of these stories ever been verified,
or are they only urban legends?
The inside of the original cover presents this special
message to young readers from managing editor of the All-American line, M.C.
Gaines. It features the usual
publishing bravado about how hard they worked to get this new comic just right. Yah, right.
When we get to the Mr. Terrific story (below) they could have offered
the artist a few more months of anatomy lessons.
And just in case you are thinking of putting this comic
down, don't think about it because the doubly-inspiring Gene Tunney gives it
two thumbs up...
This little advertisement for All-Star #8 serves as a
disclaimer that we are getting a story that starts "in medias
res." If you want Wonder Woman's
origin, too bad, you're not going to read it here if you missed All-Star
#8. Suckers.
Here is a portion of the splash page. As a kid, I really
disliked Harry Peters' Wonder Woman art, but as an adult I find it quite
charming. His line had a swirl and a flair to it that really distinguished him
from most other Golden Age DC artists.
His Wonder Woman is quite sexy and alluring and his thugs are stylish
caricatures. He was really quite skilled
at contorting the human figure..
Our story begins with Princess Diana bringing the rescued
Steve Trevor back to America from Paradise Island in her
"transparent" (not yet to be called "invisible") plane.
Here we also see the origin of Steve calling Wonder Woman
"Angel", a motif that lasted many years
Of course no man has ever called her beautiful before; she
has spent her whole life amongst Amazons!
Sheesh. She may be beautiful like
an angel, but in these early stories, WW is none-to-bright! This assertion is further proved by the fact
that she has an inexplicable need to hide her invisible plane. Go figure.
She is smart enough, though, to figure out that she might
not blend into the crowds in Washington, D.C., even draped in the American
flag! However, the problem that she will
need to overcome is that American women apparently just have too much material
in their dresses.
Thankfully, though, the Church ladies league of decency and
propriety is patrolling the streets to protect us against scantily clad women
like our favourite Amazon princess!
But before the guardians of human decency can do anything, a
robbery unfolds and Wonder Woman shows her stuff!
The thing that is always analyzed in these early Wonder
Woman stories is the question of whether Wonder Woman is a sort of model
empowered woman, or whether this is all just about male fantasies of submitting
to a dominant woman. The above panels
reveal a bit of both, I think. Consider
especially the final panel in which WW stands triumphantly on the chest of her
fallen foe, her shoulders thrust back and her chest thrust forward.
When the police try to detain WW for questioning, she runs
away at super-speed. A strange little
fellow tries to follow her...
Hmm... a business proposition? She may be strong, but here is more evidence
of her being just a bit naïve... "boy-oh-boy-oh-boy" (I have a strict policy of never trusting
anyone that looks remotely like Dr. Sivana)
WW quickly smartens up when she sees this shyster absconding with her hard-earned cash...
He should have known better!
So much for that business partnership!
Wonder Woman returns to the hospital to check up on Steve and see how he is recovering. It appears Wonder Woman has since learned some business-sense from that Kale fellow as she buys the identity of a nurse named Diana Prince in order to gain access to her hapless lover. (Has there ever been a WW story where the real Diana returns to re-claim her identity?)
Good Ole Steve might be a bit useless, but he sure has the spunk of Lois Lane. He realizes that the evil bombers that he was originally tracking (back in All Star #8) are still on the loose, so he makes an escape from the hospital.
In her new secret identity of Diana Prince, Wonder Woman finds that Steve has sneaked away. She returns to her makeshift hanger, and with her usual brilliance hopes no one has found her invisible plane.
A suggestive dressing shot...
Steve attempts some daring-do to disable the bomber...
But poor Steve, nothing ever really goes just right for him.
Good thing WW is close at hand to save his sorry ass...
Who wouldn't fall in love with a woman who could pull off this move?
Well, that's the second time this issue that she has saved Steve. But remember that Bomber that Steve has been chasing since All-Star #8?
One punch! What a woman!
They have to go and find the rest of the bad guys, but thankfully Wonder Woman can rely on a cheap plot device to find the hideout.
And she promptly teaches those baddies a lesson...
They do have some poison explosive gas, though, which serves to injure Steve again... You might call it "an eternal moment of shattering ruin."
Giving Wonder Woman an opportunity to save him for a THIRD time this issue! I take it back... this guy is WORSE than Lois Lane!
It's back to the hospital for you, Steve!
It's a good thing Diana Prince is around to wait on his every need.... Oh right, she's too submissive for you, Steve ... You want Wonder Woman. Too bad Diana is nothing like WW. This plot device was tired even back then!
Now what about the rest of Sensation #1? Here's an ad for that elusive All-Star #8.
The Black Pirate was one of the better-drawn features.
As I mentioned above, the guy drawing Mr. Terrific desperately needed some remedial anatomy lessons... this is just plain awful.
I wonder why DC has never resurrected this guy?
Little Boy Blue and the Blue Boys... I think this boring feature ran for an awfully long time in Sensation.
Wildcat by Bill Finger and Irwin Hasen was a long-time Sensation feature and this character still remains a DC favourite!
I wouldn't have minded finding these two comics on the stand! Especially the first!
And another nice ad! This time advertising the Superman movie serial and some of the regular DC titles. Love those classic covers!
Well, that's all til next time. Hope you enjoyed this presentation of our first "sensational" tabloid find!